The clavioline is an electronic analog synthesizer. It was invented by French engineer Constant Martin in 1947 in Versailles.[1][2]
The instrument consists of a keyboard and a separate amplifier and speaker unit. The keyboard usually covered three octaves,[3] and had a number of switches to alter the tone of the sound produced, add vibrato (a defining feature of the instrument),[1] and provide other effects. The Clavioline used a vacuum tube oscillator to produce a buzzy waveform, almost a square wave, which could then be altered using high-pass and low-pass filtering, as well as the vibrato. The amplifier also aided in creating the instrument's signature tones, by deliberately providing a large amount of distortion.[1]
Several models of the Clavioline were produced by different companies. Among the more important were the Standard, Reverb, and Concert models by Selmer in France[3] and Gibson in the United States[4] in the 1950s. The six-octave model employing octave transposition was developed by Harald Bode[5] and manufactured under license by Jörgensen Electronic in Germany.[6] In England, the Jennings Organ Company's first successful product was the Univox, an early self-powered electronic keyboard inspired by the Selmer Clavioline.[7] In Japan, Ace Tone's first prototype, the Canary S-2 (1962), was based on the Clavioline.[8]