Clear-Vision is a Japanese EDTV (Extended Definition TV)[1][2] television system introduced in the 1990s, that improves audio and video quality while remaining compatible with the existing broadcast standard.[1][3] Developed to improve analog NTSC,[4] it adds features like progressive scan, ghost cancellation and widescreen image format. A similar system named PALPlus was develop in Europe with the goal of improving analog PAL broadcasts.[5]
The initial version of the system was called IDTV[5] (Improved Definition Television,[6] or SuperNTSC[7]) and was based on advanced signal processing on TV receivers. This allowed improvements such as progressive scan, ghost cancellation (reducing the effects of multipath propagation) and NTSC luminance and chroma crosstalk reduction (by way of filtering),[6] without requiring any extra information being broadcast. These early studies were done by NTV,[8] under the direction of the MPT (Ministry of Post and Telecommunications) and the BTA (Broadcasting Technology Association).[1][5]
This early standard was published as ITU-R recommendation BT.797 - "CLEARVISION".[9] Public broadcasting began on NTV in August 1989, under the name of EDTV-I or "Clear-Vision",[8][1][5] ending on July 24, 2011.
Tests for an updated system known as EDTV-II[10][11] or "Wide-aspect Clear-vision"[1][3] started in 1994.[12] EDTV-II supported 480p[13] progressive scan,[14] wide-screen[15] and digital audio. Public broadcasting began in July 1995 by NTV.[8][16][17][5][2] The standard was published as ARIB STD-B9 - "Direct Coding for EDTV-II Television Signal" in 1997[18] and as ITU BT.1298 - "Enhanced wide-screen NTSC TV transmission system".[9]
EDTV-II broadcasts are displayed in letterbox format (with black bands on the top and bottom of the screen)[14] on regular 4:3 NTSC receivers with no decoding ability. Information to reconstruct the original image signal is transmitted as helper signals - HH (horizontal high), VH (vertical high) and VT (vertical-temporal) - placed on the black bars.[19][9] This solution is similar to the one used on PALplus,[20] a comparable system to improve analog PAL broadcasts. On compatible TV sets, broadcasts are seen in 16:9 wide-screen retaining the full original 480 line resolution.[9]
When introduced, EDTV-II was used on many shows by NTV such as Friday Road Show.[21][circular reference] At the time of TOKYO MX[22] start in 1995, more than half of its broadcasts were in widescreen using EDTV-II, such as Tokyo NEWS.[21] Interest was predicted to be high, with manufacturers such as Sony and Mitsubishi having 16 to 32'' widescreen EDTV-II compatible TVs available that same year.[23][24] Yet, due to lack consumer interest, broadcasts returned to regular 4:3 over the years. NHK used the system occasionally, as it was more interested in promoting its own analog high-definition MUSE system.[21] Widescreen EDTV-II broadcasts gradually disappeared, with World Heritage, broadcast by Sony, being the last show shown using the format.[25]
Other than widescreen broadcasts, the system gave a limited improvement in image quality, mostly noticeable on larger TV sets. Yet these TVs benefited more from true HDTV broadcasts using the MUSE system, also available at the time.[5][26] The system was replaced by ISDB digital broadcasts after 2012.