A combine painting or Combine is an artwork that incorporates elements of both painting and sculpture.[1][2][3] Items attached to paintings might include three-dimensional everyday objects such as clothing or furniture, as well as printed matter including photographs or newspaper clippings.
The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase Combine[4] to describe his own artworks that explore the boundary between art and the everyday world. By placing them in the context of art, he endowed a new significance to ordinary objects. These cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg.
American artist Frank Stella created a large body of paintings in the late 1950s that recall the Combines of Robert Rauschenberg. In these works, Stella juxtaposed a wide variety of surfaces and materials, a process which led to Stella's later sculpture of the 21st century.[5]
If you have never seen Robert Rauschenberg's iconic Bed (1955), Canyon (1959), or the free-standing Monogram (1955-59),...
Rauschenberg calls his works "combines' because they combine painting with props pasted or fastened to the picture ...