Corp Naomh | |
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Material | Wood, silver, bronze, rock crystal, niello. Brass and silver nails. |
Size |
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Created |
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Period/culture | Early Medieval, Insular |
Discovered | Before 1682 Templecross, County Westmeath, Ireland |
Present location | National Museum of Ireland, Dublin |
Identification | NMI 1887:145[1] |
The Corp Naomh ([kɔɾˠpˠ n̪ˠiːvˠ], KORP NEEV, English: Holy or Sacred Body) is an Irish bell shrine made in the 9th or 10th century to enclose a now-lost hand-bell, which probably dated to c. 600 to 900 AD and belonged to an early Irish saint. The shrine was rediscovered sometime before 1682 at Tristernagh Abbey, near Templecross, County Westmeath. The shrine is 23 cm (9.1 in) high and 12 cm (4.7 in) wide. It was heavily refurbished and added to during a second phase of embellishment in the 15th century, and now consists of cast and sheet bronze plates mounted on a wooden core decorated with silver, niello and rock crystal. It is severely damaged with extensive losses and wear across almost all of its parts, and when discovered a block of wood had been substituted for the bell itself. The remaining elements are considered of high historical and artistic value by archaeologists and art historians.
Sections from its original, early Medieval phase include the cross on the reverse and the ornate semi-circular cap, which shows a bearded cleric holding a book. He is surrounded by horsemen above whom are large birds seemingly about to take flight. It was extensively refurbished in the 15th (and possibly 16th) centuries when the central bronze crucifix, the griffin and lion panel, the stamped border panels and the backing plate were added. The badly damaged crucifix and large enamel stud on the front date from at least the 15th century.
The shrine's medieval provenance is incomplete. It was probably held by hereditary keepers after the dissolution of Tristernagh Abbey in 1536 until it passed into the possession of the Anglo-Irish owners of the site. The Corp Naomh was first exhibited in 1853 by the Royal Irish Academy (RIA) and was transferred to the National Museum of Ireland in 1887.