Daniel Arasse

You can help expand this article with text translated from the corresponding article in French. (March 2023) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Daniel Arasse]]; see its history for attribution. You may also add the template {{Translated|fr|Daniel Arasse}} to the talk page. For more guidance, see Wikipedia:Translation.

Daniel Dominique Arasse (5 November 1944 in Algiers – 14 December 2003 in Paris) was a French art historian who specialised in the Renaissance and Italian art. He was the son of art critic, Henriette Arasse.

His publication, Le Détail, Pour une histoire rapprochée de la peinture (1992) won the Charles-Blanc Prize in 1993.^[1][2][3][4] Another book La Guillotine et L'imaginaire de la Terreur (1987), was translated into English as The Guillotine and the Terror (1989).