Depictions of Muhammad

Muhammad's name on a wooden disk in the Hagia Sophia in Istanbul, Turkey
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The permissibility of depictions of Muhammad in Islam has been a contentious issue. Oral and written descriptions of Muhammad are readily accepted by all traditions of Islam, but there is disagreement about visual depictions.[1][2] The Quran does not explicitly or implicitly forbid images of Muhammad. The ahadith (supplemental teachings) present an ambiguous picture,[3][4] but there are a few that have explicitly prohibited Muslims from creating visual depictions of human figures.[5] It is agreed on all sides that there is no authentic visual tradition (pictures created during Muhammad's lifetime) as to the appearance of Muhammad, although there are early legends of portraits of him, and written physical descriptions whose authenticity is often accepted.

The question of whether images in Islamic art, including those depicting Muhammad, can be considered as religious art remains a matter of contention among scholars.[6] They appear in illustrated books that are normally works of history or poetry, including those with religious subjects; the Quran is never illustrated: "context and intent are essential to understanding Islamic pictorial art. The Muslim artists creating images of Muhammad, and the public who beheld them, understood that the images were not objects of worship. Nor were the objects so decorated used as part of religious worship".[7]

However, scholars concede that such images have "a spiritual element", and were also sometimes used in informal religious devotions celebrating the day of the Mi'raj.[8] Many visual depictions only show Muhammad with his face veiled, or symbolically represent him as a flame; other images, notably from before about 1500, show his face.[9][10][11] With the notable exception of modern-day Iran,[12] depictions of Muhammad were never numerous in any community or era throughout Islamic history,[13][14] and appeared almost exclusively in the private medium of Persian and other miniature book illustration.[15][16] The key medium of public religious art in Islam was and is calligraphy.[14][15] In Ottoman Turkey the hilya developed as a decorated visual arrangement of texts about Muhammad that was displayed as a portrait might be.

Visual images of Muhammad in the non-Islamic West have always been infrequent. In the Middle Ages they were mostly hostile, and most often appear in illustrations of Dante's poetry. In the Renaissance and Early Modern period, Muhammad was sometimes depicted, typically in a more neutral or heroic light; the depictions began to encounter protests from Muslims. In the age of the Internet, a handful of caricature depictions printed in the European press have caused global protests and controversy and been associated with violence.

  1. ^ T. W. Arnold (June 1919). "An Indian Picture of Muhammad and His Companions". The Burlington Magazine for Connoisseurs. 34 (195). The Burlington Magazine for Connoisseurs, Vol. 34, No. 195.: 249–252. JSTOR 860736.
  2. ^ Jonathan Bloom & Sheila Blair (1997). Islamic Arts. London: Phaidon. p. 202. ISBN 9780714831763.
  3. ^ The Koran Does Not Forbid Images of the Prophet, 9 January 2015, Christiane Gruber, University of Michigan]
  4. ^ Professor Christiane Gruber Beyond Belief
  5. ^ What Everyone Needs to Know about Islam, John L. Esposito - 2011 p. 14; for hadith see Sahih al-Bukhari, Hadith: 7.834, 7.838, 7.840, 7.844, 7.846.
  6. ^ Gruber (2010), p. 27.
  7. ^ Cosman, Pelner and Jones, Linda Gale. Handbook to life in the medieval world, p. 623, Infobase Publishing, ISBN 0-8160-4887-8, ISBN 978-0-8160-4887-8
  8. ^ Gruber (2010), p.27 (quote) and 43.
  9. ^ Gruber (2005), pp. 239, 247–253.
  10. ^ Brendan January (1 February 2009). The Arab Conquests of the Middle East. Twenty-First Century Books. p. 34. ISBN 978-0-8225-8744-6. Retrieved 14 November 2011.
  11. ^ Omid Safi (2 November 2010). Memories of Muhammad: Why the Prophet Matters. HarperCollins. p. 171. ISBN 978-0-06-123135-3. Retrieved 14 November 2011.
  12. ^ Cite error: The named reference GruberHaugbolle2013 was invoked but never defined (see the help page).
  13. ^ Arnold, Thomas W. (2002–2011) [First published in 1928]. Painting in Islam, a Study of the Place of Pictorial Art in Muslim Culture. Gorgias Press LLC. pp. 91–9. ISBN 978-1-931956-91-8.
  14. ^ a b Dirk van der Plas (1987). Effigies dei: essays on the history of religions. BRILL. p. 124. ISBN 978-90-04-08655-5. Retrieved 14 November 2011.
  15. ^ a b Ernst, Carl W. (August 2004). Following Muhammad: Rethinking Islam in the Contemporary World. UNC Press Books. pp. 78–79. ISBN 978-0-8078-5577-5. Retrieved 14 November 2011.
  16. ^ Devotion in pictures: Muslim popular iconography – Introduction to the exhibition, University of Bergen.