Doom metal | |
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Stylistic origins | |
Cultural origins | Early to mid 1970s, United Kingdom and United States[2][3] |
Derivative forms | Post-metal[4][5] |
Subgenres | |
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Fusion genres | |
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Other topics | |
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.[6] Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom.[2] The genre is strongly influenced by the early work of Black Sabbath,[2] who formed a prototype for doom metal. During the first half of the 1980s,[2] a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".[7] Despite it's classification as an extreme metal genre, it is the only one not influenced by hardcore punk.
Unlike Sabbath, who initially viewed itself as a blues act, Pentagram is considered a founder of the doom metal genre, along with contemporaries Trouble, Saint Vitus, and Candlemass.
The truth is post-metal takes in all of these elements without being entirely any one of them. So we'll be featuring nothing totally proggy, like Ayreon; nor pure doom, like Electric Wizard; nor your modern black metal fellows like Leviathan, Wolves in the Throne Room, or Velvet Cacoon, though their peaks certainly coincided with post-metal