Double harmonic scale

The double harmonic major scale^[1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar),^[1]^[2] and Gypsy major scale.^[3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees. Arabic scale may also refer to any Arabic mode, the simplest of which, however, to Westerners, resembles the double harmonic major scale.^[4]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 c4^\markup { Double harmonic major scale on C } (des) e (f) g (aes) b (c2) } }$

^ ^a ^b Stetina, Troy (1999). The Ultimate Scale Book, p. 59. ISBN 0-7935-9788-9.
^ Christiansen, Mike (2003). Mel Bay Complete Guitar Scale Dictionary, p. 43. ISBN 0-7866-6994-2.
^ Jonathan Bellman, The "Style hongrois" in the Music of Western Europe (Boston: Northeastern University Press Archived 2011-01-15 at the Wayback Machine, 1993): 120. ISBN 1-55553-169-5.
^ "R. G. Kiesewetter's 'Die Musik der Araber': A Pioneering Ethnomusicological Study of Arabic Writings on Music", p. 12. Philip V. Bohlman. Asian Music, vol. 18, no. 1. (Autumn–Winter, 1986), pp. 164–196.

[Stetina-1] Stetina, Troy (1999). The Ultimate Scale Book, p. 59. ISBN 0-7935-9788-9.

[Christiansen-2] Christiansen, Mike (2003). Mel Bay Complete Guitar Scale Dictionary, p. 43. ISBN 0-7866-6994-2.

[3] Jonathan Bellman, The "Style hongrois" in the Music of Western Europe (Boston: Northeastern University Press Archived 2011-01-15 at the Wayback Machine, 1993): 120. ISBN 1-55553-169-5.

[4] "R. G. Kiesewetter's 'Die Musik der Araber': A Pioneering Ethnomusicological Study of Arabic Writings on Music", p. 12. Philip V. Bohlman. Asian Music, vol. 18, no. 1. (Autumn–Winter, 1986), pp. 164–196.

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