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Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
The term was first adapted into sociology from the theatre by Erving Goffman, who developed most of the related terminology and ideas in his 1956 book, The Presentation of Self in Everyday Life. Kenneth Burke, whom Goffman would later acknowledge as an influence,[1] had earlier presented his notions of dramatism in 1945, which in turn derives from Shakespeare. The fundamental difference between Burke's and Goffman's view, however, is that Burke believed that life was in fact theatre, whereas Goffman viewed theatre as a metaphor. If people imagine themselves as directors observing what goes on in the theatre of everyday life, they are doing what Goffman called dramaturgical analysis, the study of social interaction in terms of theatrical performance.[2]: 133
In dramaturgical sociology, it is argued that the elements of human interactions are dependent upon time, place, and audience. In other words, to Goffman, the self is a sense of who one is, a dramatic effect emerging from the immediate scene being presented.[3] Goffman forms a theatrical metaphor in defining the method in which one human being presents itself to another based on cultural values, norms, and beliefs. Performances can have disruptions (actors are aware of such), but most are successful. The goal of this presentation of self is acceptance from the audience through carefully conducted performance.[4] If the actor succeeds, the audience will view the actor as he or she wants to be viewed.[5][6]
A dramaturgical action is a social action that is designed to be seen by others and to improve one's public self-image. In addition to Goffman, this concept has been used by Jürgen Habermas and Harold Garfinkel, among others.
- ^ Mitchell, J. N. 1978. Social Exchange, Dramaturgy and Ethnomethodology: Toward a Paradigmatic Synthesis. New York: Elsevier.
- ^ Cite error: The named reference
macwas invoked but never defined (see the help page). - ^ Ritzer, George. 2007. Contemporary Sociological Theory and Its Classical Roots: The Basics. New York: McGraw-Hill.
- ^ Goffman, Erving (1980) [1959]. The Presentation of Self in Everyday Life. New York: Anchor Books: A Division of Random House, Inc. pp. 15–16. ISBN 978-0-385-094023.
A 'performance' may be defined as all the activity of a given participant on a given occasion which serves to influence in any way any of the other participants. Taking a particular participant and his performance as a basic point of reference, we may refer to those who contribute the other performances as the audience, observers, or co-participants...When an individual or performer plays the same part to the same audience on different occasions, a social relationship is likely to arise.
- ^ Goffman, Erving (1980) [1959]. The Presentation of Self in Everyday Life. New York: Anchor Books: A Division of Random House, Inc. p. 48. ISBN 978-0-385-094023.
[T]he audience, in their turn, often assume that the character projected before them is all there is to the individual who acts out the projection for them.
- ^ Adler, Patricia A.; Adler, Peter; Fontana, Andrea (1987). "Everyday Life Sociology". Annu Rev Sociol. 13: 217–35. doi:10.1146/annurev.so.13.080187.001245.