Edgar Allan Poe bibliography

Poe in 1848

The works of American author Edgar Allan Poe (January 19, 1809 – October 7, 1849) include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing.[1] These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism.[2] Poe's writing reflects his literary theories: he disagreed with didacticism[3] and allegory.[4] Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art.[5] Poe pursued originality in his works, and disliked proverbs.[6] He often included elements of popular pseudosciences such as phrenology[7] and physiognomy.[8] His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning.[9] Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.[10]

Poe's literary career began in 1827 with the release of 50 copies of Tamerlane and Other Poems credited only to "a Bostonian", a collection of early poems that received virtually no attention.[11] In December 1829, Poe released Al Aaraaf, Tamerlane, and Minor Poems in Baltimore[12] before delving into short stories for the first time with "Metzengerstein" in 1832.[13] His most successful and most widely read prose during his lifetime was "The Gold-Bug",[14] which earned him a $100 prize, the most money he received for a single work.[15] One of his most important works, "The Murders in the Rue Morgue", was published in 1841 and is today considered the first modern detective story.[16] Poe called it a "tale of ratiocination".[1] Poe became a household name with the publication of "The Raven" in 1845,[17] though it was not a financial success.[18] The publishing industry at the time was a difficult career choice and much of Poe's work was written using themes specifically catered for mass market tastes.[19]

  1. ^ a b Silverman 1991, p. 171
  2. ^ Koster 2002, p. 336
  3. ^ Kagle 1990, p. 104
  4. ^ Poe 1847
  5. ^ Wilbur 1967, p. 99
  6. ^ Hayes 2002, pp. 445–465
  7. ^ Hungerford 1930, pp. 209–231
  8. ^ Grayson 2005, pp. 56–77
  9. ^ Kennedy 1987, p. 3
  10. ^ Fisher 2002, p. 72
  11. ^ Meyers 1992, pp. 33–34
  12. ^ Sova 2001, p. 5
  13. ^ Silverman 1991, p. 88
  14. ^ Sova 2001, p. 97
  15. ^ Hoffman 1998, p. 189
  16. ^ Meyers 1992, p. 123
  17. ^ Hoffman 1998, p. 80
  18. ^ Krutch 1926, p. 155
  19. ^ Whalen 2001, p. 67