Edward Naylor | |
|---|---|
| Birth name | Edward Woodall Naylor |
| Born | 9 February 1867 Scarborough, England |
| Died | 7 May 1934 (aged 67) Cambridge, England |
| Genres | Classical |
| Occupation(s) | Organist, composer |
| Instrument | Pipe organ |
Edward Woodall Naylor (9 February 1867 – 7 May 1934) was an English organist and composer.
Naylor was born in Scarborough in 1867. His father, John Naylor, was organist of York Minster. He won a choral scholarship to Emmanuel College, Cambridge, where he gained a BA in 1887.[1] From 1888 to 1892 he studied at the Royal College of Music. After spending eight years as organist of London churches St. Michael's Church, Chester Square (1889) and St. Mary's Church, Kilburn (1896), Naylor returned to Cambridge in 1898, where he became an assistant master at The Leys School and organist of Emmanuel College. Naylor lived in Cambridge until his death in 1934.
His most important compositions were for voices; his composition The Angelus, won the Ricordi prize for an English opera. His church music blends elements of 16th to 20th century music. Naylor was considered an authority on Shakespeare and music, and was an early exponent of greater musical authenticity.
His son, Bernard James Naylor (1907–1986) was the first composer (1948) living in Canada to employ post-tonal writing in choral music, and was one of the pioneers of a truly contemporary (post-tonal) English (Anglican) cathedral music in the mid-twentieth century.[2]