Eurospy film

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Eurospy film, or Spaghetti spy film (when referring to Italian-produced films in the genre),^[1][2][3] is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films was released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword-and-sandal genre.

Christopher Frayling, who estimated the number of Eurospy films at 50, felt that they passed on such traits to the Spaghetti Western as an emphasis on the technology of death, such as special weapons, the anonymity of the protagonist, the "money = power" equation of the villains and humorous asides that released the audience's laughter after a violent sequence.^[4]

For additional verisimilitude, these films often featured American and British stars in the lead roles.^[5] The heroes of the films were secret agents who were often given a name similar to "James Bond" (including "Charles Bind", "Charles Vine" and "James Tont", where "Tont" is a pun on tonto which is Italian for "dumb", "stupid"), and/or a code name matching, or similar to, James Bond's "007". Unlike the Italian Eurospy films, most French, British and West German spy films made use of existing literary fictional spies, including Bulldog Drummond, Harry Palmer, Hubert Bonisseur de La Bath, AKA OSS 117 (who was not based on James Bond but rather had helped to inspire James Bond), Francis Coplan and Rolf Torring.