Gareth Sansom

Gareth Sansom
Gareth Sansom.
Born	19 November 1939 Melbourne, Victoria, Australia
Nationality	Australian
Education	RMIT (Royal Melbourne Institute of Technology)
Known for	Oil on canvas, collage, printmaking, mixed media
Awards	John McCaughey Memorial Prize 2008

Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.^[1]

Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier, Joe Tilson and the formal strategies of the post-modernist R. B. Kitaj. Another major Influence was and remains the British painter Francis Bacon. He was an associate of Brett Whiteley and there was a likely mutual influence. Sansom has had a distinct influence on subsequent Australian art, paving the way for later notable artists such as Juan Davila and Howard Arkley. His work is represented by the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of New South Wales, the Metropolitan Museum of Art, New York and the Mertz Collection. His paintings are eclectic, studded with allusions both historical, cultural and personal. There is something almost diaristic about his work, but its presentation is anything but linear and logical. Abiding themes are mortality, ageing, sexual identity, popular and youth culture and cinema. There is also a strong element of humour, iconoclasm and irony in his work, from their titles, such as "Art Can't Fart (for Rose Selavay)", "Four Wise Men Looking for God in Abstract Art", "Dr Fu Manchu's Death by Gyro" or "Ship of Fools (Hello sailor!)" to comic and grotesque figurative elements and their sometimes lurid but highly resolved colour schemes. On a technical level his paintings combine oils, enamels (both sprayed and applied with brush) and collaged elements from personal photographs to objects stuck on or painted over. Stylistically Sansom uses a wide array of painting techniques but signature devices include allowing earlier layers of paint to remain visible, hard-edge geometric shapes juxtaposed with playful, lyrical, more organic or atmospheric passages of paint and figurative "doodles", often at the margins of the paintings.