Gilles Binchois

Binchois (right) holding a small harp and Guillaume Du Fay (left) beside a portative organ in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames[1][n 1]

Gilles de Bins dit Binchois (also Binchoys; c. 1400 – 20 September 1460) was a Franco-Flemish composer and singer of early Renaissance music. A central figure of the Burgundian School, Binchois is renowned a melodist and miniaturist; he generally avoided large scale works, and is most admired for his shorter secular chansons. He is generally ranked below his colleague Guillaume Du Fay and the English composer John Dunstaple, but together the three were the most celebrated composers of the early European Renaissance.

Binchois was born in Mons (modern-day Belgium) to an upper-class family from Binche. His youth is largely unknown, although early chorister training is likely; by late 1419 he had obtained a local organist post. By 1423 he was in Lille and probably a soldier under the Englishman William de la Pole, eventually in Paris and Hainaut. Sometime during the 1420s, Binchois settled in the culturally thriving court of Burgundy under Philip the Good, where he became a subdeacon and was awarded numerous prebends. He retired to Soignies in 1453 amid a substantial courtly pension, dying in 1460.

It is thought that considerably more of his sacred music survives than secular music, creating a "paradoxical image" of the composer.[3] Reflecting on his style, the Encyclopædia Britannica comments that "Binchois cultivated the gently subtle rhythm, the suavely graceful melody, and the smooth treatment of dissonance of his English contemporaries".[4]

  1. ^ Rossi 2008, p. II.
  2. ^ Fallows 2001, §2 "Portraits".
  3. ^ Kirkman & Slavin 2000, p. 1.
  4. ^ Britannica 2021, § para. 3.


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