Giovanni Battista Palumba, also known as the Master I.B. with a Bird (or the Bird etc.), was an Italian printmaker active in the early 16th century, making both engravings and woodcuts; he is generally attributed with respectively 14 and 11 of these.[1] He appears to have come from northern Italy, but later worked in Rome.[2] He specialized in subjects from classical mythology,[3] as well as the inevitable religious subjects. Despite his relatively small output, he was a sophisticated artist, whose style shows a number of influences and changes, reflecting awareness of the currents in artistic style at the start of the High Renaissance.[4] The signed prints are usually dated to around 1500–1511.[5]
His earlier name comes from the monogram with which most of his prints are signed, the initials IB followed by a small image of a pigeon-like bird. The Italian word palumbo means 'pigeon' (the Latin name of the common wood pigeon is Columba palumbus), and in Latin the initial for Giovanni ('John' in English) is I, for Iohannes.[6] He is not to be confused with the Master I.B., a German printmaker active in Nuremberg c. 1523–1530.
He is also attributed with various woodcuts for book illustrations from both before and after the 1500s, though all of these are rejected by some, and he is generally accepted as the author of a drawing in the British Museum related to his print of Leda and the Swan, with their Children.
- ^ Oberhuber, 440; Zucker, 74 and note. There are minor discrepancies, with both of these rejecting an engraving of Venus and Cupid.
- ^ Zucker, 74–75
- ^ Oberhuber, 442
- ^ Hind (1935), 440; Zucker, 75
- ^ Oberhuber, 445; Zucker, 75; BM says "1500–1520" in the biographical details, but 1500–1510 or −1515 for individual prints.
- ^ Oberhuber, 440; Landau, 102
- ^ McDonald, 112