 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (January 2022) |
A glee is a type of English part song composed during the Late Baroque, Classical, and early Romantic periods (roughly the Georgian era, taken together). The respectable and artistic character of glees contrasts with the bawdiness of the many catches which continued to be composed and sung well into the early years of the 19th century.
The use of the countertenor voice on the upper part(s) in glees composed for men's voices, and on the Alto part(s) in those for mixed voices, is a particular characteristic of the form (the most famous exponent, known for his elegant ornamentation, was William Knyvett) and serves to distinguish glees from other male voice partsongs, which usually lack countrapuntal writing and have the top part taken by a tenor. This gives them a highest note around a major third below that of men's voice glees. Some care is required in interpreting the intended voicing of glees in contemporary editions, due to the gradual replacement, taking place at this time, of the C clef with the treble clef but often without the required octave transposition being specified.