Goldman Band

Goldman Band
The Goldman Band circa 1922
Background information
Origin	New York, New York
Genres	Concert Band
Years active	1918-2005
Labels	Victor Records Decca Columbia
Past members	Edwin Franko Goldman Richard Franko Goldman

The Goldman Band was an American concert band founded in 1918 by Edwin Franko Goldman from his previous New York Military Band.^[1] Both bands were based in New York City.

It was Goldman's contention that the New York symphony and orchestra musicians in the summer bands of the time, rarely rehearsed and did not take these performances very seriously. He saw the potential for starting a really good wind ensemble.

The Goldman Band's first concert under that name was in 1920 at Columbia University. The program was representative of Goldman's choices in transcriptions and original works including compositions of Johann Sebastian Bach, Victor Herbert, Edward MacDowell, Johan Svendsen, Ambroise Thomas, Richard Wagner, and Karl Michael Ziehrer.

For ninety-three years the Goldman Band performed free public concerts at a variety of venues in New York City, including on the Green at Columbia, Central Park, Prospect Park,^[1] and at the Guggenheim Bandshell at Lincoln Center. Famous instrumental and vocal performers appeared with the band along with guest conductors such as Percy Grainger and Vivian Dunn. Traditional and classical works were performed as well as new works for band. Goldman requested new works for band from European composers including Ottorino Respighi, Albert Roussel, and Jaromir Weinberger. With professional musicians and endowment funds from the Guggenheim Foundation, the band was able to perform in New York and also tour the U.S. and Canada and perform on radio and television.

The Goldman Band was widely considered the successor to the John Philip Sousa band. Many of Sousa's musicians went on to play with the Goldman Band including Henry Heidelberg (piccolo); Johnny Carr, Raymond Scott, Emil Preiss and Joseph Chaney (clarinet); Del Staigers, Oscar B. Short and George Fee (cornet); Wayne Lewis (euphonium) and William Bell (tuba player). ^[2]

In 1983, the Guggenheim Foundation withdrew funding to concentrate on social justice issues, and the band had to start fundraising from other sources, and shortened their season to thirty-five concerts over a seven-week period.