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Golu Hadawatha | |
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Directed by | Lester James Peiris |
Written by | Reggie Siriwardena Karunasena Jayalath (book) |
Produced by | P. E. E. Anthonypillai |
Starring | Wickrama Bogoda Anula Karunathilaka |
Cinematography | M. S. Ananda |
Edited by | Sumitra Gunawardena Edwin Leetin |
Music by | Premasiri Khemadasa |
Distributed by | Lanka Studio |
Release date |
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Running time | 120 minutes |
Country | Sri Lanka |
Language | Sinhala |
Golu Hadawatha (Translation: The Silent Heart) was a popular 1968 Sinhalese language romance movie directed by Maestro Lester James Peiris. Wickrama Bogoda and Anula Karunathilaka acted the lead roles of Sugath and Dhammhi. The movie's story is built on the novel Golu Hadawatha written by Karunasena Jayalath in 1962, based on his school time experiences and memories. Regi Siriwardena wrote the screenplay and Veteran Sinhala musician Premasiri Khemadasa composed the music. Golu Hadawatha is acclaimed as a movie that set a milestone in Sinhala moviemaking. It introduced a new cinematic format to the romance and love movie genre. The movie departs from the then traditional movie style; no hero, heroine, ("Boy" and "Girl") no enemy or villain, Joker, no songs, and fights etc. Based on a romantic and emotional attachment between a teenage boy and a girl who study in the same class of their school, Golu Hadawatha is regarded as one of the landmarks in Sri Lankan Cinema.
It was awarded the Best Film, Best Director and Best Actress of the year at the prestigious Sarasaviya Awards Festival. The film, which depicts the love affair between two school going teenagers, created a sensation among Sri Lankan film lovers, both young and old, and is considered a landmark in the history of Sri Lankan cinema.[1]
The original script was being written by Piyasiri Gunaratne and Karunasena Jayalath. Before being finished, Piyasiri Gunaratna casually mentioned he was working on the script to Lester James Peiris. A few weeks later, the newspapers announced Lester James Peiris was about to shoot the film. It came out that Mr. Pieris took advantage of the situation, took over the script from Karunasena Jayalath and so de facto stole the script as well as the film from Piyasiri Gunaratne.