Author | Nicole Dennis-Benn |
---|---|
Audio read by | Bahni Turpin |
Cover artist | Jennifer Heuer |
Language | English |
Set in | Montego Bay, Jamaica |
Publisher | Liveright |
Publication date | July 5, 2016 |
Publication place | United States |
Media type | |
Pages | 352 |
ISBN | 978-1-63149-176-4 |
OCLC | 921868995 |
813/.6 | |
LC Class | PS3604.E58657 H47 2016 |
Here Comes the Sun is a 2016 novel by Nicole Dennis-Benn set in Montego Bay, Jamaica and published by Liveright Publishing Corporation.[1][2] Dennis-Benn's debut novel, the book examines social issues in Jamaica, including skin bleaching, sex work, homophobia, rape, and the impact of tourism on local residents.[3] The novel won the Lambda Literary Award for Lesbian Fiction.[2]
Here Comes the Sun has garnered positive critical attention and praise as it explores many of Jamaica's controversial issues. Dennis-Benn hopes her novel will get “people talking and thinking,” as she explores the "themes of love, identity, sexuality, and belonging" that all readers may be able to connect to.[4] Readers tell her "I went through that" as they read about the over-sexualization of girls and the hustle to thrive. One goal of the novel is to give a voice to the ignored issues and complacency in the working class.[5] Reni Eddo-Loge describes the novel as "an engaging debut about exploitation and racial prejudice, as seen through the eyes of three women" showing the "creeping colonialism of the hotel industry" and the "effect of displacement" on local peoples.[6]
The novel seeks to show the racial, social, and economic disparities that are often covered up by the Jamaican government's emphasis on unity. Poor and working-class Jamaicans are exploited “by the tourism industry to repay our [national] debt.”[4] Naive Thandi, hotel worker Margot, her much older sister, and tourist-trapping Dolores, their mother, show, in three generations, the struggle that average Jamaicans face while trying daily to survive and find opportunities for success. According to Jennifer Senior, the novel shows “the ugliest legacy of colonialism,” the “self-hatred, passed down from one generation to the next” as Thandi tries to lighten her skin and her sister and mother remain caught up in the sex and tourism trades.[7]