| Hex Enduction Hour | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 8 March 1982 | |||
| Recorded | 1981 at Regal Cinema, Hitchin, England August 1981 at Hljóðriti, Reykjavík, Iceland | |||
| Genre | Post-punk | |||
| Length | 60:08 | |||
| Label | Kamera | |||
| Producer | ||||
| The Fall chronology | ||||
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Hex Enduction Hour is the fourth studio album by the English post-punk group the Fall. Released on 8 March 1982, it was built on low-fidelity production values and caustic lyrical content of their earlier recordings, and features a two-drummer lineup. Frontman Mark E. Smith established an abrasive Northern aesthetic built as part of the 20th century literary traditions of kitchen sink realism and magic realism. Smith described the album as an often-satirical but deliberate reaction to the contemporary music scene, a stand against "bland bastards like Elvis Costello and Spandau Ballet ... [and] all that shit."[1]
Recording for Hex began during a 1981 three-concert visit to Iceland, where Smith was inspired both by the otherworldliness of the island's landscape and the enthusiasm of an audience unaccustomed to visiting rock groups.[2][3] The Fall recorded "Hip Priest", "Iceland" and non-album single "Look, Know" at the Hljóðriti studio in Reykjavík, and the remaining tracks in a disused cinema in Hitchin, Hertfordshire.
Its cover art was seen by many in the music industry as coarse and lacking accepted layout or typographical qualities; HMV would only shelve it back to front on their racks. The album peaked at number 71 on the UK charts and attracted the attention of several record labels.