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Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
The term was coined by the American author Joan Morgan in her book When Chickenheads Come Home to Roost: A Hip Hop Feminist Breaks it Down for black women who grew up in the post-Civil Rights Movement and feminist movement era of the 1960s and 1970s. Morgan explains that a hip-hop feminist is a self-defined name for black feminists that acknowledges black women's lived experiences as they identify with and enjoy hip-hop culture along with supporting feminist issues and agendas where black women are marginalized by the mainstream feminist movement because of their race or the black antiracist movements due to their gender.
Hip-hop feminism has various definitions and scholarly inventions to help understand how hip-hop sensibilities influence not only music but also different forms of black expressions as well as feminist and antiracist social justice movements.