"I'll See You in My Dreams" | ||||
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Single by Isham Jones, Guest Conductor with Ray Miller's Orchestra, Vocal Chorus by Frank Bessinger | ||||
B-side | "Why Couldn't It Be Poor Little Me" | |||
Published | December 19, 1924Leo Feist, Inc.[1][2] | by|||
Released | February 1925 | |||
Recorded | December 4, 1924[3] | |||
Studio | Brunswick Studios, 799 Seventh Avenue, New York City | |||
Genre | American Dance Music | |||
Length | 2.59[4] | |||
Label | Brunswick 2788[5] | |||
Composer(s) | Isham Jones | |||
Lyricist(s) | Gus Kahn | |||
Isham Jones Orchestra singles chronology | ||||
|
"I'll See You in My Dreams" | |
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Single by Pat Boone | |
from the album I'll See You in My Dreams | |
B-side | "Pictures in the Fire" |
Released | January 1962 |
Genre | Pop |
Label | Dot |
Songwriter(s) | Isham Jones, Gus Kahn |
"I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States.[6] Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James;[7] with three of these four reaching the Top 10.
The song was sung by Jeanne Crain in Margie (1946) and was chosen as the title song of the 1951 film, I'll See You in My Dreams, a musical biography of Kahn.
Popular recordings of it were made by many leading artists, including Cliff Edwards, Louis Armstrong, Bing Crosby (recorded November 27, 1947),[8] Doris Day, Ella Fitzgerald, Mario Lanza, Tony Martin, The Platters, Ezio Pinza, Sue Raney, Jerry Lee Lewis (1958, instrumental), Andy Williams,[9] and Linda Scott.[10] A "Texas Swing" version of the song was recorded by Bob Wills and his Texas Playboys.
The song was also recorded by Django Reinhardt and the Quintet of the Hot Club of France, and inspired Merle Travis to record it as a guitar instrumental. Many other guitarists, including Chet Atkins and Thom Bresh, followed in Travis's footsteps. Michel Lelong, a French guitarist, published the first tablature of Travis's arrangement for the American publisher/guitarist Stefan Grossman's Guitar Workshop during the 1980s, following by Thom Bresh (Merle Travis's son) for Homespun Tapes, and Marcel Dadi for Stefan Grossman's Guitar Workshop.
It was recorded by Mario Lanza on his Coca-Cola Show of 1951-2 and is available on a compilation album mastered from those same shows, and featuring the same title, I'll See You in My Dreams, released by BMG in 1998.