Imagology is a branch of comparative literature. More specifically, it is concerned with "the study of cross-national perceptions and images as expressed in literary discourse".[1] While it adopts a constructivist perspective on national stereotypes and national character, it does emphasize that these stereotypes may have real social effects. It was developed in the 1950s with practitioners in France, the Netherlands, Belgium and Germany.[2][3] It never gained much of a foothold in anglophone academia. This may be attributed to imagology's skewed relationship[clarification needed] to Edward Said's influential Orientalism, which is much better known in this context.[3]