J. M. W. Turner | |
---|---|
Born | Joseph Mallord William Turner 23 April 1775 London, England |
Died | 19 December 1851 Chelsea, London, England | (aged 76)
Resting place | St Paul's Cathedral |
Education | Royal Academy of Arts |
Known for | Paintings |
Notable work | |
Movement | Romanticism |
Signature | |
Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner,[a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper.[1] He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.[2]
Turner was born in Maiden Lane, Covent Garden, London, to a modest lower-middle-class family and retained his lower class accent, while assiduously avoiding the trappings of success and fame. A child prodigy, Turner studied at the Royal Academy of Arts from 1789, enrolling when he was 14, and exhibited his first work there at 15. During this period, he also served as an architectural draftsman. He earned a steady income from commissions and sales, which he often only begrudgingly accepted owing to his troubled and contrary nature. He opened his own gallery in 1804 and became professor of perspective at the academy in 1807, where he lectured until 1828. He travelled around Europe from 1802, typically returning with voluminous sketchbooks.
Intensely private, eccentric, and reclusive, Turner was a controversial figure throughout his career. He did not marry, but fathered two daughters, Evelina (1801–1874) and Georgiana (1811–1843), by the widow Sarah Danby. He became more pessimistic and morose as he got older, especially after the death of his father in 1829; when his outlook deteriorated, his gallery fell into disrepair and neglect, and his art intensified. In 1841, Turner rowed a boat into the Thames so he could not be counted as present at any property in that year's census.[3] He lived in squalor and poor health from 1845, and died in London in 1851 aged 76. Turner is buried in St Paul's Cathedral, London.[4]
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At the turn of the 18th century, history painting was the highest purpose art could serve, and Turner would attempt those heights all his life. But his real achievement would be to make landscape the equal of history painting.