Jabra Ibrahim Jabra | |
---|---|
جبرا ابراهيم جبرا | |
Born | Jabra Ibrahim Gawriye Masoud Yahrin 28 August 1919 |
Died | 12 December 1994 | (aged 75)
Resting place | Baghdad |
Nationality | Palestinian, Iraqi |
Education | Government Arab College, University of Cambridge, Harvard University |
Alma mater | Fitzwilliam House, Cambridge |
Known for | Fiction, poetry, criticism, painting |
Notable work | In Search of Walid Masoud, The First Well, Princesses' Street, Cry in a Long Night, Hunters in a Narrow Street, The Ship |
Style | Modernist realism, absurdism, Arab existentialism, stream of consciousness |
Movement | Shi'r, Hiwar, One Dimension Group, The Baghdad Modern Art Group; Hurufiyya movement |
Spouse | Lami'a Barqi al-'Askari |
Partner(s) | Yusuf al-Khal, Suhayl Idriss, Badr Shakir al-Sayyab, Albert Adib, Tawfiq Sayigh |
Awards | 1988–1989 Sultan Bin Ali Al Owais Cultural Award |
Jabra Ibrahim Jabra (28 August 1919[1] – 12 December 1994[2]) (Arabic: جبرا ابراهيم جبرا) was an Iraqi-Palestinian author, artist and intellectual born in Adana in French-occupied Cilicia to a Syriac Orthodox Christian family.[3] His family survived the Seyfo Genocide and fled to the British Mandate of Palestine in the early 1920s.[1] Jabra was educated at government schools under the British-mandatory educational system in Bethlehem and Jerusalem, such as the Government Arab College, and won a scholarship from the British Council to study at the University of Cambridge. Following the events of 1948, Jabra fled Jerusalem and settled in Baghdad, where he found work teaching at the University of Baghdad. In 1952 he was awarded a Rockefeller Foundation Humanities fellowship to study English literature at Harvard University. Over the course of his literary career, Jabra wrote novels, short stories, poetry, criticism, and a screenplay. He was a prolific translator of modern English and French literature into Arabic. Jabra was also an enthusiastic painter, and he pioneered the Hurufiyya movement, which sought to integrate traditional Islamic art within contemporary art through the decorative use of Arabic script.