Jacqueline Lichtenberg | |
|---|---|
| Born | March 25, 1942[1] Flushing, Queens, New York, U.S. |
| Occupation | Author |
| Alma mater | University of California, Berkeley |
| Genre | Science fiction |
| Years active | 1969–present |
| Notable works |
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Jacqueline Lichtenberg (born March 25, 1942,[1] Flushing, Queens, New York) is an American science fiction author.[2]
Many of her early novels are set in the Sime~Gen Universe, which she first described in a short story in 1969.[3] Writing the series satisfied her preference for "'Intimacy'—the kind of relationship between the character and other characters, between the character and the universe, or between the character and him/herself, that brings trust into life" over "Action," a genre she "seriously dislike[s]."[4] Her other writings have dealt with fantasy and occult subjects, including articles on Buffy the Vampire Slayer. She has written a monthly review column on science fiction, under the title "Science Fiction", for The Monthly Aspectarian. Under the pen name 'Daniel R. Kerns', she has published two novels, Hero and Border Dispute.
Many of her works have been written in collaboration with Jean Lorrah, with whom Lichtenberg has a business partnership. A Star Trek fan, she has been actively involved in the Trekkie fan movement. In particular, she wrote the first Kraith Star Trek fan fiction. She is one of the Friends of Darkover and her early writing has been mentored by Marion Zimmer Bradley.
Lichtenberg has a chemistry degree from the University of California, Berkeley.
In an interview[5] that aired on November 5, 2021, Lichtenberg shared that in sixth-grade she could barely read, so when she contracted the measles her mom introduced her to the teenage science-fiction novel Battle on Mercury by Lester del Rey. At first Lichtenberg had to use the dictionary to read Battle on Mercury, but quickly became an avid science fiction reader. In the 1950s the latest stories were published in science fiction magazines Lichtenberg checked out at the local library, but she was incensed by the poor illustrations that did not match the text in the stories. Lichtenberg inadvertently ended up publishing her first science fiction critique as a letter to the editor of the magazine stating they needed to improve the illustrations, thus setting the stage for her future career as a writer of this genre.