James Gibbs | |
|---|---|
 James Gibbs, with a ghostly view of his Radcliffe Camera, ca 1750 by Andrea Soldi | |
| Born | 23 December 1682 |
| Died | 5 August 1754 London, England, Kingdom of Great Britain |
| Nationality | Scottish |
| Alma mater | Marischal College, University of Aberdeen |
| Occupation | Architect |
| Buildings | Senate House Radcliffe Camera St Martin-in-the-Fields St Mary le Strand Ditchley Park |
James Gibbs (23 December 1682 – 5 August 1754) was a Scottish architect. Born in Aberdeen, he trained as an architect in Rome, and practised mainly in England. He is an important figure whose work spanned the transition between English Baroque architecture and Georgian architecture heavily influenced by Andrea Palladio. Among his most important works are St Martin-in-the-Fields (at Trafalgar Square), the cylindrical, domed Radcliffe Camera at Oxford University, and the Senate House at Cambridge University.
Gibbs very privately was a Roman Catholic and a Tory. Because of this and his age, he had a somewhat removed relation to the Palladian movement which came to dominate English architecture during his career. The Palladians were largely Whigs, led by Lord Burlington and Colen Campbell, a fellow Scot who developed a rivalry with Gibbs. Gibbs' professional Italian training under the Baroque master Carlo Fontana also set him uniquely apart from the Palladian school.[1] However, despite being unfashionable, he gained a number of Tory patrons and clients, and became hugely influential through his published works, which became popular as pattern books for architecture. The naming of the Gibbs surround for doors and windows, which he certainly did not invent, testifies to this influence.
His architectural style did incorporate Palladian elements, as well as forms from Italian Baroque and Inigo Jones (1573–1652), but was most strongly influenced by the work of Sir Christopher Wren (1632–1723), who was an early supporter of Gibbs. Overall, Gibbs was an individual who formed his own style independently of current fashions. Architectural historian John Summerson describes his work as the fulfilment of Wren's architectural ideas, which were not fully developed in his own buildings.[2] Despite the influence of his books, Gibbs, as a stylistic outsider, had little effect on the later direction of British architecture, which saw the rise of Neoclassicism shortly after his death.
- ^ Howard Colvin, A Biographical Dictionary of British Architects, 1600–1840, 3rd ed. 1995, s.v. "Gibbs, James".
- ^ Summerson, pp.330, 333