Akhmad Bassah | |
|---|---|
 Sketch of Joehana, undated | |
| Born | Akhmad Bassah c. 1895 Bandung, Dutch East Indies |
| Died | c. 1930 (aged 34–35) Tasikmalaya, Dutch East Indies |
| Pen name |
|
| Occupation | Novelist, dramatist, reporter |
| Nationality | Dutch East Indian |
| Education | Meer Uitgebreid Lager Onderwijs |
| Period | 1923–1930 |
| Genre | Realist, Drama, Romance, Folklore |
Akhmad Bassah (also Bassakh; [axˈmad baˈsax]; fl. 1923–30), best known by the pen name Joehana ([juˈhana]; Perfected Spelling: Yuhana), was an author from the Dutch East Indies who wrote in Sundanese. He worked for a time on the railroad before becoming an author by 1923, and had a strong interest in social welfare; this interest influenced his novels. He was also a productive translator, dramatist, and reporter, and operated a company which offered writing services. Sources disagree when Joehana died; some offer 1930, while others give 1942–45.
During the seven years in which he was active, Joehana wrote a number of stories and articles, as well as several novels. The years of publication are generally unclear, as reprints included neither the year of first publication nor the printing number. Stylistically, Joehana has been classified as a realist owing to his use of the names of actual locations and products in his works, as well as the predominantly vernacular Sundanese in his novels. However, influences from traditional theatrical forms such as wayang and literature such as pantun are evident. Joehana's works cover a wide range of themes, although in general they are oriented towards social criticism and promote modernization.
Though Joehana's works were published independently, they were popular in the Bandung area where they were sold. Local businesses may have offered funds for product placement, and Joehana's works were adapted to the stage and film. However, they received little academic attention until the 1960s, and critical consensus since then has been negative. Two of his works have been republished since the 1960s, and stage productions of his novel Rasiah nu Goreng Patut continued into the 1980s.