John Bettes the Elder (active c. 1531–1570) was an English artist whose few known paintings date from between about 1543 and 1550. His most famous work is his Portrait of a Man in a Black Cap. His son, John Bettes the Younger (with whom he is sometimes confused), was a pupil of Nicholas Hilliard who painted portraits during the reign of Elizabeth I and James I.[1]
Nothing is known of John Bettes's life, except that he was living in Westminster in 1556, according to a documented court case.[2] He is first recorded as working for Henry VIII at Whitehall Palace in 1531. Queen Catherine Parr's accounts for 1546/47 record payments to Bettes for "lymning" (painting in miniature) the king's and queen's portraits, and for six other portraits.[2] Her new year's gift of 1547 to Prince Edward was a pair of portraits of the king and herself.[3] Bettes has been identified as the designer of the engraved title-border for William Cuningham's Cosmographical Glasse, printed by John Day in 1559. He may also be the designer of engravings for Edward Hall's Chronicle, published in 1550, and of a woodcut portrait of Franz Burchard, the Saxon ambassador to England, published in 1560. In 1576, John Foxe referred to Bettes as already dead.[2][4] An earlier second edition of Foxe's Actes and Monuments printed in 1570 refers to Bettes' death.[5]
The identification of John Bettes's work stems from the inscription on the back of Man in a Black Cap: "faict par Johan Bettes Anglois" ("done by John Bettes, Englishman").[6] The painting is dated 1545 on the front. On the basis of its style, four further portraits have been attributed to Bettes: two of Thomas Wentworth, 1st Baron Wentworth, (1549); one of Sir William Butts the Younger (154/3?); and one of Sir William Cavendish (c. 1545).[4]