John Wesley | |
---|---|
Born | John Mercer Wesley November 25, 1928 Los Angeles, California, U.S. |
Died | February 10, 2022 New York City, New York, U.S. | (aged 93)
Known for | Painting |
Movement | Pop art, surrealism, erotic art |
Spouses | Alice Richter
(m. 1947; div. 1959) |
Partner | Patricia Broderick (1997–2003; her death) |
Children | 2 |
Awards | Guggenheim Fellowship, American Academy of Arts and Letters, National Endowment for the Arts |
John Wesley (November 25, 1928 – February 10, 2022) was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style.[1][2][3] Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions.[4][5] His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.[6][7][8][9]
Early on, art critics categorized Wesley as a Pop artist, due to his appropriation of the visual language and, at times, iconography of popular culture.[9][8][10] Later critics, however, regarded him as an art outsider whose work eluded categorization, noting among other things, his psychological plumbing of a (largely male) American unconscious, formal affinities with abstraction, and wide-ranging art-historical borrowings.[11][12][6][13] Artforum's Jenifer Borum described Wesley's work as combining "a Pop vocabulary, a refined Minimal sensibility, and a surrealistic proclivity for uncanny juxtapositions,"[9] while Dave Hickey likened him to an eighteenth-century Rococo "fabulist," citing his penchant for erotic narrative.[7]
Wesley's work has been exhibited at the Whitney Museum of American Art,[14] MoMA PS1,[15] Stedelijk Museum Amsterdam, Portikus (Frankfurt), and the Chinati Foundation, among others.[16][17] It belongs to public art collections including the Museum of Modern Art,[18] Museum of Contemporary Art, Los Angeles,[19] and Whitney Museum.[20] In 1976, he was awarded a Guggenheim Fellowship.[21]