Jon Peterson | |
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Born | 1945 Stillwater, Minnesota, US |
Died | March 4, 2020 |
Education | Otis Art Institute, University of Minnesota |
Known for | Participatory Art, sculpture, painting |
Awards | National Endowment for the Arts |
Website | Jon Peterson |
Jon Peterson (1945–2020) was an American artist, most known for his "guerrilla sculpture" in the 1980s and his stylistically eclectic paintings in the 2000s.[1][2][3] He was active in the emergence of Los Angeles’s downtown art scene—partly captured in the 1982 documentary, Young Turks—as both an artist and real estate developer.[4][5][6] His work has been commissioned by or exhibited at Los Angeles Contemporary Exhibitions (LACE),[7] the San Diego Museum of Art, Washington Project for the Arts, Madison Museum of Contemporary Art, Houston Art Festival, Foundation for Art Resources, and the International Sculpture Conference.[8][9][10] It has been discussed in Artforum, Art in America,[11] ARTnews,[12] Los Angeles Times,[13] The Washington Post and The Village Voice, and recognized by the National Endowment of the Arts.[14] Museum director and one-time Artforum critic Richard Armstrong wrote that his outdoor, urban "Bum Shelters" "neatly grafted function and relevance onto the sadly barren tree of public sculpture"; critic Peter Plagens called them "hand-made, subtly irregular riff[s] on Minimalism" that injected social consciousness into "erstwhile formalist work."[15][2] Reviewers liken his painting practice in the 2000s to the "polymath"-model of Gerhard Richter, interchanging diverse styles and genres as a means to understanding the nature of painting itself.[16][3] Peterson died March 4, 2020, at the age of 74, and is survived by his wife, Tanarat, and son, Raymond.[10][17]