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| Jupiter et Sémélé | |
|---|---|
| English: Jupiter and Semele | |
 | |
| Artist | Gustave Moreau |
| Year | 1894–95 |
| Type | Oil on canvas |
| Dimensions | 213 cm × 118 cm (83.8 in × 46.5 in) |
| Location | Musée National Gustave-Moreau (Moreau Museum), Paris |
Jupiter et Sémélé (1894–95; English, Jupiter and Semele) is a painting by the French Symbolist artist Gustave Moreau (1826–1898). It depicts a moment from the classical myth[1] of the mortal woman Semele, mother of the god Dionysus, and her lover, Jupiter, the king of the gods. She was treacherously advised by the goddess Juno, Jupiter's wife, to ask him to appear to her in all his divine splendor. He obliged, but, in so doing, brought about her violent death by his divine thunder and lightning. The painting is a representation of "divinized physical love" and the overpowering experience that consumes Semele as the god appears in his supreme beauty which has been called "quite simply the most sumptuous expression imaginable of an orgasm".[2]
Of this work, Moreau himself wrote, "Semele, penetrated by the divine effluence, regenerated and purified by this consecration, dies struck by lightning and with her dies the genius of terrestrial love, the genius with the goat hooves."[3]
- ^ Ovid, Metamorphoses, III.
- ^ Pierre, José, "Gustave Moreau through the Eyes of Succeeding Generations"; In: Paladilhe, Jean, and José Pierre (1972), Gustave Moreau, Trans. by Bettina Wadia. New York City: Praeger. [This volume also contains a separate study, Paladilhe's "Gustave Moreau: His Life and Work"], pg 128.
- ^ Paladilhe, Jean; Pierre, José (1972). Gustave Moreau. Translated by Bettina, Wadia. New York and Washington: Praeger Publishers. p. 65. Retrieved 5 June 2024.