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Karen Finley | |
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Born | 1956 (age 67–68) |
Nationality | American |
Alma mater | San Francisco Art Institute |
Occupation(s) | Performance artist, musician, poet, educator |
Employer | NYU Tisch School of the Arts |
Known for | Performance art |
Spouse |
Karen Finley (born 1956) is an American performance artist, musician, poet, and educator.[1] The case, National Endowment for the Arts v. Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists.[2] Her performance art, recordings, and books are used as forms of activism.[3][4] Her work frequently uses nudity and profanity.[5] Finley incorporates depictions of sexuality, abuse, and disenfranchisement in her work.[6] She is a professor at the Tisch School of the Arts at New York University.[7]
Karen Finley has written various books that focus on controversial topics.[8] She wrote Shock Treatment, Enough Is Enough: Weekly Meditations for Living Dysfunctionally, the Martha Stewart satire Living It Up: Humorous Adventures in Hyperdomesticity, Pooh Unplugged (detailing the eating and psychological disorders of Winnie the Pooh and his friends),[9] and A Different Kind of Intimacy - a later collection of her works. Her poem "The Black Sheep" is among her best-known works; it was displayed as public art in New York City for one month.[10] Finley's poetry is included in The Outlaw Bible of American Poetry.