American bass
Kevin Burdette
Kevin Burdette is an American bass who has worked as a soloist with the Teatro alla Scala ,[ 1] Metropolitan Opera , Gran Teatre del Liceu ,[ 2] Santa Fe Opera ,[ 3] Seattle Opera , Teatro Colón ,[ 4] Dallas Opera ,[ 5] San Diego Opera , Washington National Opera ,[ 6] New York City Opera ,[ 7] Opéra de Montréal , Boston Lyric Opera ,[ 8] Glimmerglass Opera ,[ 9] Opera Philadelphia , and the Spoleto Festival USA ,[ 10] as well as many regional opera companies including Florentine Opera , Opéra de Québec , Portland Opera , Lyric Opera of Kansas City , Atlanta Opera ,[ 11] Virginia Opera ,[ 12] Wolf Trap Opera Company , Chicago Opera Theater , Opera Memphis ,[ 13] Gotham Chamber Opera , Knoxville Opera , Opera Grand Rapids, Toledo Opera , and the Lyric Opera of San Antonio . He has created multiple roles, including Beck Weathers in Joby Talbot 's Everest , Eric Gold and the Ghost of Bazzetti in Jake Heggie 's Great Scott , Papinou in Talbot's The Diving Bell and the Butterfly , and Ob in Mark Adamo 's Becoming Santa Claus , all with Dallas Opera, and Blindman and Stobrod Thewes in Jennifer Higdon 's Cold Mountain , Manuel Toulon in Huang Ruo 's M. Butterfly , Correspondent in John Corigliano 's Lord of Cries , and Henry B. Isaacson and Justice Wills in Theo Morrison's Oscar , all with Santa Fe Opera.[ 5] [ 14] [ 15] [ 16] [ 17] [ 18] [ 19]
His concert engagements have included solo work with the Chicago Symphony Orchestra , Los Angeles Philharmonic (with Gustavo Dudamel ),[ 20] Philharmonia Orchestra (with Esa-Pekka Salonen ),[ 21] National Symphony Orchestra , American Symphony Orchestra , Les Violons du Roy , Seattle Symphony ,[ 22] Cincinnati Symphony Orchestra , Milwaukee Symphony Orchestra ,[ 23] The Chamber Music Society of Lincoln Center , New Jersey Symphony Orchestra (with Neeme Järvi ),[ 24] Berkeley Symphony Orchestra (with Kent Nagano ), Utah Symphony Orchestra (with Keith Lockhart ), Nashville Symphony , Boston Baroque ,[ 25] the EOS Orchestra, AXIOM Ensemble (with Alan Gilbert ),[ 26] and the Virginia Symphony Orchestra at venues including Carnegie Hall , Avery Fisher Hall , Walt Disney Concert Hall , Alice Tully Hall , Weill Recital Hall , Chicago's Orchestra Hall , and San Francisco's Davies Symphony Hall .
A recipient of the Richard F. Gold Career Grant awarded by the Shoshana Foundation ,[ 27] the Dr. Marcia Robbins-Wilf Award, presented by New York City Opera to an artist who demonstrates outstanding dramatic ability, and the Alumni Promise Award[ 28] from the University of Tennessee , he has been a member of both l'Opéra National de Paris young artists' Program and the San Francisco Opera young artist program.[ 29]
Burdette received his master's degree in vocal performance at the Juilliard School , two Bachelor of Arts degrees (B.A. in College Scholars and a B.A. in music with a minor in history) from the University of Tennessee , and spent a year studying at the Universität für Musik und darstellende Kunst Wien . He was born and raised in Knoxville, Tennessee .
^ Stefano Jacini (November 6, 2022). "La magia di The Tempest conquista la Scala" . Il Giornale della Musica .
^ Pablo Meléndez-Haddad (October 19, 2018). "La exigente ligereza de 'Candide' ilumina el Liceu" . El Periódico de Catalunya .
^ Charles Downey (August 9, 2011). "Santa Fe Opera has weathered the economic crisis true to its fine form" . The Washington Post .
^ Federico Monjeau (September 29, 2009). "Mozart, buen teatro y buenas voces" . Clarín .
^ a b Heidi Waleson (February 3, 2013). "Tragedy Makes for the Peak of Drama" . The Wall Street Journal .
^ Anne Midgette (November 13, 2016). "Ruth Bader Ginsburg's opera debut brings relevance to WNO" . The Washington Post . Archived from the original on December 20, 2016.
^ Alex Ross (October 24, 2005). "Fresh Faces" . The New Yorker .
^ Allan Kozinn (February 2, 2011). "Oppressor's Tale, Written in Oppression" . The New York Times .
^ Anthony Tommasini (August 4, 2004). "Glimmerglass Finds Adventure in the Country" . The New York Times .
^ Lindsay Koob (May 23, 2007). "Gluck's operatic utopian farce surprises and delights" . The Charleston City Paper . Archived from the original on February 23, 2012.
^ Andrew Alexander (March 7, 2016). "Review: 'Pirates of Penzance' isn't best match for Atlanta Opera" . The Atlanta Journal-Constitution .
^ Joan Reinthaler (March 25, 2012). "The Virginia Opera's 'Mikado' " . The Washington Post .
^ Jon W. Sparks (January 14, 2014). "Opera Memphis' 'Mikado' is terrific entertainment" . The Commercial Appeal .
^ Heidi Waleson (August 10, 2015). "2015 Festival at the Santa Fe Opera Review" . The Wall Street Journal .
^ Judith Malafronte (October 30, 2015). "Great Scott, Dallas Opera" . Opera News .
^ Mark Lowry (December 3, 2015). " 'Becoming Santa Claus' adds opera to holiday calendar" . Fort Worth Star-Telegram .
^ Heidi Waleson (November 6, 2023). "The Diving Bell and the Butterfly' Review: A Story of Paralysis Takes Flight" . The Wall Street Journal .
^ Allen, D. (August 2022). "Review: 'M. Butterfly' metamorphoses again, as an opera" . The New York Times . Retrieved April 24, 2023 .
^ Alex Ross (August 9, 2021). "John Corigliano's New Opera Reimagines Dionysius as Dracula" . The New Yorker .
^ Mark Swed (May 21, 2012). "Fit for a 'Don' " . Los Angeles Times .
^ Mark Swed (November 14, 2012). "Berg's 'Wozzeck' comes across with gripping clarity" . Los Angeles Times .
^ Melinda Bargreen (December 21, 2013). " 'Messiah' rings out, with Gary Thor Wedow at the helm" . The Seattle Times .
^ Elaine Schmidt (December 15, 2016). "Chorus Renders Beautiful 'Messiah' " . Milwaukee Journal Sentinel .
^ Ronni Reich (February 1, 2010). "Neeme Jarvi returns to the New Jersey Symphony Orchestra" . The Star-Ledger .
^ Jeremy Eichler (October 15, 2007). "Baroque's 'Così' goes for easy laughs" . The Boston Globe .
^ Heidi Waleson (June 2, 2014). "The New-Work Philharmonic" . The Wall Street Journal .
^ "Richard F. Gold Career Grant Recipients" . The Shoshana Foundation.
^ "Alumni Promise" . University of Tennessee, Knoxville.
^ Joshua Kosman (July 12, 1999). "Trainees Get 'Giovanni' Right" . San Francisco Chronicle .