Kim Hong-do | |
Korean name | |
---|---|
Hangul | 김홍도 |
Hanja | |
Revised Romanization | Gim Hongdo |
McCune–Reischauer | Kim Hongdo |
Art name | |
Hangul | 단원, 단구, 서호, 고면거사, 취화사, or 첩취옹 |
Hanja | |
Revised Romanization | Danwon, Dan-gu, Seoho, Gomyeon-geosa, or Cheopchwiong |
McCune–Reischauer | Tanwŏn, Tan'gu, Sŏho Komyŏn'gŏsa, or Ch'ŏpch'wiong |
Courtesy name | |
Hangul | 사능 |
Hanja | |
Revised Romanization | Saneung |
McCune–Reischauer | Sanŭng |
Kim Hong-do (Korean: 김홍도, 1745–c. 1806 to 1814) was a Korean painter during the Joseon dynasty. He is mostly remembered for his depictions of the everyday life of ordinary people, in a manner analogous to painters of the Dutch Golden Age.[1] He was also widely known by his art name Danwon (단원).
Active during the reign of King Yeongjo and King Jeongjo, he made a profound change in Joseon painting style. By boldly introducing Western painting methods that appeared to have been learned through the Qing Dynasty, he introduced a technique that revealed perspective through jokes and contrasts of colors.[2]