Kirishitan

Kirishitan
吉利支丹, 切支丹, キリシタン
Japanese Christians in Portuguese costume, 16th–17th century.
Founder
Portuguese and Spanish missionaries
Regions with significant populations
Japan, Philippines (exiled population)
Religions
Catholic Christianity
Scriptures
The Bible
Languages
Latin, Japanese

The Japanese term Kirishitan (吉利支丹, 切支丹, キリシタン, きりしたん), from Portuguese cristão (cf. Kristang), meaning "Christian", referred to Catholic Christians in Japanese and is used in Japanese texts as a historiographic term for Catholics in Japan in the 16th and 17th centuries.

Modern Japanese has several words for "Christian", of which the most common are the noun form kirisuto-kyōto キリスト教徒, and also kurisuchan クリスチャン. The Japanese word kirishitan キリシタン is used primarily in Japanese texts for the early history of Roman Catholicism in Japan, or in relation to Kakure Kirishitan, hidden Christians. However, English sources on histories of Japan generally use the term "Christian" without distinction.

Christian missionaries were known as bateren (from the Portuguese word padre, "father" or "priest")[1] or iruman (from the Portuguese irmão, "brother"). Contemptuous transcriptions such as 切支丹 and 鬼利死丹 (which use kanji with negative connotations) came into use during the Edo Period when Christianity was a forbidden religion.

Portuguese ships began arriving in Japan in 1543,[2] with Catholic missionary activities in Japan beginning in earnest around 1549, mainly by Portuguese-sponsored Jesuits until Spanish-sponsored mendicant orders, such as the Franciscans and Dominicans, gained access to Japan. No Western women came to Japan. Of the 95 Jesuits who worked in Japan up to 1600, 57 were Portuguese, 20 were Spaniards and 18 Italian.[3] Francis Xavier,[4][5] Cosme de Torres (a Jesuit priest), and João Fernandes were the first to arrive to Kagoshima with hopes to bring Christianity and Catholicism to Japan. At its height, Japan is estimated to have had around 300,000 Christians.[6] Catholicism was subsequently repressed in several parts of the country and ceased to exist publicly in the 17th century.