Kitsch

A Friend in Need, a 1903 Dogs Playing Poker painting by Cassius Marcellus Coolidge, is a common example of modern kitsch.
Puppy by Jeff Koons (2010) is a self-aware display of kitsch, specifically as a combination of opulence and cuteness.

Kitsch (/kɪ/ KITCH; loanword from German)[a][1] is a term applied to art and design that is perceived as naïve imitation, overly eccentric, gratuitous or of banal taste.[2][3]

The modern avant-garde traditionally opposed kitsch for its melodramatic tendencies, its superficial relationship with the human condition and its naturalistic standards of beauty. In the first half of the 20th century, kitsch was used in reference to mass-produced, pop-cultural products that lacked the conceptual depth of fine art. However, since the emergence of Pop Art in the 1950s, kitsch has taken on newfound highbrow appeal, often wielded in knowingly ironic, humorous or earnest manners.

To brand visual art as "kitsch" is often still pejorative, though not exclusively. Art deemed kitsch may be enjoyed in an entirely positive and sincere manner. For example, it carries the ability to be quaint or "quirky" without being offensive on the surface, as in the Dogs Playing Poker paintings.

Along with visual art, the quality of kitsch can be used to describe works of music, literature or any other creative medium. Kitsch relates to camp, as they both incorporate irony and extravagance.[4]


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  1. ^ "Definition of KITSCH". www.merriam-webster.com.
  2. ^ "Dialectic of Enlightenment - Philosophical Fragments" (PDF). Wayback Machine Internet Archive. 2002. Archived (PDF) from the original on 14 June 2017. Retrieved 22 October 2021.
  3. ^ Dutton, Denis (2003), "Kitsch", Oxford Art Online, Oxford University Press, doi:10.1093/gao/9781884446054.article.t046768, retrieved 22 October 2021
  4. ^ Scruton, Roger (21 February 2014). "A fine line between art and kitsch". Forbes. Retrieved 16 January 2017.