Lauren Bernofsky | |
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Lauren Bernofsky is an American composer of solo, chamber and choral music as well as larger-scale works for orchestra, film, musical, opera, and ballet. Trained as a violinist, she is particularly known for her writing for brass and winds. Her Concerto for Trumpet and Orchestra is frequently performed as audition and recital repertoire and has been featured in the journal of the International Trumpet Guild;[1] it was also the subject of a doctoral dissertation.[2] Her piece "Sonatine" for flute and piano won the National Flute Association's Newly Published Music Competition.[3]
Bernofsky studied at the New Orleans Center for Creative Arts (NOCCA), The Hartt School, where she was a student of Eric Rosenblith, New England Conservatory of Music, and at Boston University, where she studied under Lukas Foss. While at NOCCA, she met and took lessons from Ellis Marsalis.[4]
Bernofsky's music is generally tonal/modal, showing influences of Shostakovich, Ravel, Prokofiev, klezmer, and other Eastern European folk music, and often features soaring melodic lines set over syncopation-fueled rhythms and contemporary/experimental approaches to chord structure. Her Trio for Brass has been described as having "poignant harmonies and infectious rhythms."[5] Some of her pieces are environmentally-themed, such as the string quartet Anacostia Journal, written during a residency with the Earth Conservation Corps as part of a project to protect and restore the Anacostia River.[6]
Bernofsky's ecological-futuristic chamber opera for children, Mooch the Magnificent, with a libretto by Scott Russell Sanders based on his novel The Engineer of Beasts, won the Opera Puppets Award at Boston Metro Opera. The opera had its orchestral premiere (in Spanish translation) as part of the Festival Internacional de Artes Vivas in Loja, Ecuador, in 2022.[7]
In 2023, the first act of her new opera The Mensch, about unsung Holocaust hero Anton Schmid, was premiered at Indiana University.[8]