Laurie Hogin | |
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Born | 1963 Chicago, Illinois, US |
Education | School of the Art Institute of Chicago, Cornell University |
Known for | Painting, drawing, education |
Spouse | Greg Boozell |
Website | Laurie Hogin |
Laurie Hogin (born 1963) is an American artist, known for allegorical paintings of mutant animals and plants that rework the tropes and exacting styles of Neoclassical art in order to critique, parody or call attention to contemporary and historical mythologies, systems of power, and human experience and variety.[1][2][3] She has exhibited nationally and internationally, including at the Museum of Contemporary Art Chicago, International Print Center New York, and Contemporary Arts Center Cincinnati.[4][5] Her work belongs to the art collections of the New York Public Library, MacArthur Foundation, Addison Gallery of American Art, and Illinois State Museum, among others.[6][7][4][5] Critic Donald Kuspit described her work as both painted with "a deceptive, crafty beauty" and "sardonically aggressive" in its use of animal stand-ins to critique humanity;[8] Ann Wiens characterized her "roiling compositions of barely controlled flora and fauna" as "shrewdly employing art historical concepts of beauty for their subversive potential."[9] Hogin is Professor and Chair of the Studio Art Program at the University of Illinois at Urbana–Champaign.[10]