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Author | Vasily Grossman |
---|---|
Original title | Жизнь и судьба |
Translator | Robert Chandler |
Language | Russian |
Genre | Historical novel, war, philosophical, political fiction |
Publisher | L'Age d'homme (1980), NYRB Classics (2006) |
Publication date | 1980 |
Publication place | written in the Soviet Union, first published in the West |
Media type | |
Pages | 896 |
ISBN | 1590172019 |
Preceded by | Stalingrad (1952) |
Followed by | Everything Flows (1980) |
Life and Fate (Russian: Жизнь и судьба, romanized: Zhizn' i sud'ba) is a novel by Vasily Grossman. Written in the Soviet Union in 1959, it narrates the story of the family of a Soviet physicist, Viktor Shtrum, during the Great Patriotic War, which is depicted as the struggle between two comparable totalitarian states.[1] A multi-faceted novel, one of its main themes is the tragedy of the common people, who have to fight both the invaders and the totalitarianism of their own state. In 2021, the critic and editor Robert Gottlieb, writing in The New York Times, referred to Life and Fate as "the most impressive novel written since World War II."[2]
Vasily Grossman, a Ukrainian Jew, was rejected for military service in 1941 and became a correspondent for the Soviet military paper Krasnaya Zvezda. He spent approximately 1,000 days on the front lines, roughly three of the four years of the conflict between the Germans and Soviets.[3] He was one of the first journalists to write about the genocide of the Jewish people in Eastern Europe and was present at many famous battles. Life and Fate was his defining achievement,[4] its writing in part motivated by guilt over the death of his mother in the Berdychiv massacre at Berdychiv (UkSSR) in September 1941.[5]
Life and Fate is technically the second half of the author's conceived two-part book under the same title, with the first half published in 1952 under the title For A Just Cause. Although the first half, written by Grossman during the rule of Joseph Stalin, expresses loyalty to the regime, Life and Fate shows the political disillusion of the protagonist and sharply criticises Stalinism.[4] For that reason, the manuscript was censored in the Soviet Union at the time and was only published in the 1980s, nearly two decades after Grossman's death, first in the West and then on Russian soil under glasnost.