Life for the Taking

Life for the Taking
Studio album by Eddie Money
Released	1978
Recorded	1978
Genre	Rock, pop rock
Length	40:23
Label	Wolfgang, Columbia
Producer	Bruce Botnick
Eddie Money chronology
Eddie Money (1977) Life for the Taking (1978) Playing for Keeps (1980)
Singles from Life for the Taking
"Maybe I'm a Fool" Released: January 1979 "Can't Keep a Good Man Down" Released: May 1979 "Maureen" Released: July 1979

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
The Rolling Stone Album Guide	[2]

Life for the Taking is the second studio album by American rock musician Eddie Money. It was recorded and released in late 1978 in the US and January 1979 in the UK on manager Bill Graham's Wolfgang imprint via Columbia Records. The album includes the singles "Can't Keep a Good Man Down", "Maybe I'm a Fool" and "Maureen".

With Money seemingly endlessly on the road promoting his previous debut album, this effort was primarily written in hotel rooms with a variety of band members and worked up during sound checks prior to performances. The final track, "Call on Me" was often interjected into the set lists prior to the release of this album and received a strong response in spite of its more soulful, less frantic composure.

This album also marked a conscious effort to expand Money's audience with the inclusion of several more pop and dance oriented numbers. This direction would continue to be expanded upon with the subsequent release Playing for Keeps. The album was met with less enthusiastic critical response than its predecessor with a number of the pundits citing a weakness of quality songwriting and the inconsistency of style as pitfalls.

Money resumed his frantic promotion and touring schedule upon the release of this album. The cover shot plays on a rendition of the artist mocking his debut album artwork but with an obvious worn and tired appearance.

As with the previous release, both singles were issued in promotion only edited versions, while the retail releases featured tracks from the album as B-sides. By now, Money was headlining mid-sized venues and a number of the dates featured the then up-and-coming Pat Benatar as support.