Ludwig Klages | |
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Born | |
Died | 29 July 1956 | (aged 83)
Nationality | German |
Alma mater | |
Awards | Goethe Medal for Art and Science (1932) |
Era | 20th-century philosophy |
Region | Western philosophy |
School | |
Main interests | Aesthetics, anthropology, classical studies, eroticism, handwriting, intellectual history, metaphysics, philosophy of history, philosophy of language, philosophy of mind, poetry, psychology |
Notable ideas |
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Co-founder of | Munich Cosmic Circle |
Scientific career | |
Fields | Theoretical psychology, characterology, chemistry |
Institutions |
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Thesis | Attempt at a Synthesis of Menthone[3] (1901) |
Doctoral advisor | Alfred Einhorn[3] |
Other academic advisors | Theodore Lipps[5] |
Friedrich Konrad Eduard Wilhelm Ludwig Klages (10 December 1872 – 29 July 1956) was a German philosopher, psychologist, graphologist, poet, writer, and lecturer, who was a two-time nominee for the Nobel Prize in Literature.[11] In the Germanosphere, he is considered one of the most important thinkers of the 20th century.[12] He began his career as a research chemist according to his family's wishes, though soon returned to his passions for poetry, philosophy and classical studies. He held a post at the University of Munich, where in 1905 he founded the Psychodiagnostisches Seminar; the latter was forced to close in 1914 with the outbreak of World War I.[13] In 1915, Klages moved to neutral Switzerland, where over the following decades much of his mature philosophical works were written. Klages died in 1956.[14]
Klages was a central figure of characterological psychology and the Lebensphilosophie school of thought. Prominent elements of his philosophy include: the opposition between life-affirming Seele and life-denying Geist; reality as the on-going creation and interpretation of sensory images, rather than feelings; a biocentric ethics in response to modern ecological issues and militarism;[2] an affirmation of eroticism in critique of both Christian patriarchy and the notion of the "sexual";[15] a theory of psychology focused on expression, including handwriting analysis;[16] and a science of character aimed at reconciling the human ego to the divide it effectuates between living beings.[17] Central to Klages' thought is a linguistic opposition to logocentrism, a term introduced by Klages to diagnose a fixation on language or words to the detriment of the things to which they refer.[18] His formulation of this concept came to be of significant importance to semiotic studies of Western science and philosophy, namely within Derridean deconstruction.[19] Klages is similarly seen as a forebear to critical theory,[20] deep ecology,[2] and existential phenomenology.
Klages' place in modern psychology has been likened to those of his contemporaries Sigmund Freud and Carl Jung.[21] His philosophy was roundly attacked by Nazi leaders during the height of his career, though his proximity has since fallen to dispute.[22] Though little of his literary output has historically been available in English, Klages' thought has exhibited sweeping influence on German developments in psychology, psychiatry, literature, and various other disciplines.[23]