Native name | Meitei: Jagoi Raas, Raas Jagoi[1][2][3] |
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Genre | |
Inventor | Rajarshi Bhagyachandra (Meitei: Ching-Thang Khomba)[4][5][6] |
Origin |
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Hinduism |
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Manipuri dance, also referred to as the Manipuri Raas Leela (Meitei: Jagoi Raas/Raas Jagoi[1][2][3]), is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur.[7][8] It is one of the greatest cultural achievements of the traditional Vaishnavism adhering Meitei people of Manipur.[9] Owing to the Meitei civilization,[10] the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba (Meitei for 'Rajarshi Bhagyachandra') of the Kingdom of Manipur,[4][5][6] is considered to be the highest spiritual expression of the worship of Hindu deity Krishna.[11] Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India,[9] and is honoured with the Sangeet Natak Akademi Award for Manipuri annually.[12] It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.[13][14][15]
It is imbued with the devotional themes of Madhura Raas of Radha-Krishna and characterised by gentle eyes and soft peaceful body movements. The facial expressions are peaceful mostly expressing Bhakti Rasa or the emotion of devotion, no matter if a dancer is Hindu or not. The dance form is based on Hindu scriptures of Vaishnavism and is exclusively attached to the worship of Radha and Krishna. It is a portrayal of the dance of divine love of Krishna with goddess Radha and the cowherd damsels of Vrindavan, famously known as the Raas Leela.[16][17][18]
The roots of the Manipuri Raas Leela dance, as with all classical Indian dances, is the ancient Hindu Sanskrit text Natya Shastra, with influences and the culture fusion between various local folk dance forms.[19] With evidence of Vishnu temples in the medieval era, this dance form has been passed down verbally from generation to generation as an oral tradition.[20][21] At a time when other Indian classical dances were struggling to shake off the stigma of decadent crudity and disrepute, the Manipuri classical dance was a top favorite with girls of 'respectable' families.
This Manipuri dance drama is, for most part is entirely religious and is considered to be a purely spiritual experience.[22][23] It is accompanied with devotional music created with many instruments, with the beat set by cymbals (kartal or manjira) and double-headed drum (pung or Manipuri mrdanga) of sankirtan.[24] The dance drama choreography shares the plays and stories of Vaishnavite Padavalis, that also inspired the major Gaudiya Vaishnava-related performance arts found in Assam and West Bengal.[16]
Though the term Manipuri Dance is associated with the Raas Leela, Manipuri dance consists of jagoi, cholom and huyen langlon.[25][26][27]