Maria Gaspar | |
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Born | 1980 (age 43–44) |
Nationality | American |
Education | BFA Pratt Institute, MFA University of Illinois at Chicago |
Known for | Installation art, Sculpture, Performance art, Social Practice |
Notable work | Radioactive: Stores from Beyond the Wall, Unblinking Eyes, Watching, Sounds for Liberation, 96 Acres Project, Brown Brilliance Darkness Matter, On the Border of What is Formless and Monstrous |
Awards | Latinx Artist Fellowship; Guggenheim Fellowship in the Creative Arts; United States Artists Fellowship; Art Matters Award; Robert Rauschenberg Artist As Activist Fellowship; Creative Capital Award; Joan Mitchell Emerging Artist Grant; National Endowment for the Arts; Sor Juana Women of Achievement Award, National Museum of Mexican Art |
Maria Gaspar (born 1980)[1] is an American interdisciplinary artist and educator.[2]
Her works have been exhibited at venues including the MoMA PS1[3] in New York, Pérez Art Museum Miami,[4] Florida, Museum of Contemporary Art located in Chicago,[5] Artspace in New Haven, CT,[6] African American Museum, Philadelphia, PA, University of California, Santa Cruz, and many others. Gaspar's work has been written about in the New York Times Magazine,[7] Artforum, The Chicago Tribune, Hyperallergic, and many other publications.
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