Mask (DC Comics)

The Mask
The Mask in Sensational Wonder Woman #14 (April 2021), art by Sanya Anwar.
Publication information
PublisherDC Comics
First appearanceWonder Woman #24 (July/August 1947)
Created byWilliam Moulton Marston, Harry G. Peter
In-story information
Alter egoNina Close
Natalia Close
Nina Solorzano
Abilities
  • Criminal mastermind
  • Highly skilled marksperson
  • Technological prowess

The Mask is a fictional character appearing in DC Comics publications and related media, commonly as a recurring adversary of the superhero Wonder Woman. Created by writer William Moulton Marston and artist Harry G. Peter, the character debuted in 1947 in Wonder Woman #24 as the villainous alter-ego of Nina Close, a victim of domestic spousal abuse suffering from dissociative identity disorder. The blonde-haired Nina was timid and quiet, but her alternate personality, the dark-haired Mask, was ruthless, violent and cruel. The Mask's primary modus operandi was to trap her victims in grisly BDSM-style torture masks rigged to release acid into their throats unless her demands were met. After DC Comics rebooted its continuity in 1985 (a publication event known as the Crisis on Infinite Earths), Wonder Woman and her supporting characters were re-imagined. Though originally absent from this revised mythos, the character was reintroduced in 2007's Wonder Woman (vol. 3) Annual #1, written by Allan Heinberg and illustrated by Terry Dodson and Rachel Dodson, as a masked anti-hero dispensing violent retribution against men who abuse women.[1] She would get a post-Rebirth reformulation by writer/artist Sanya Anwar in 2021's Sensational Wonder Woman #13-14 as Natalia Close (née Nina Solorzano), a troubled social media personality and influencer who develops the lethal alter-ego of a criminal mastermind named the Mask.

This Mask is distinct from the character of the same name appearing in Dark Horse Comics publications and related media.

  1. ^ Jimenez, Phil; Wells, John (2010). The Essential Wonder Woman Encyclopedia. Del Rey. p. 265. ISBN 978-0345501073.