Mbalax, Senegalese urban dance music | |
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Cultural origins | Early 1970s Senegal[1][2][3][4] |
Fusion genres | |
afro mbalax, mabalax pur et dur, moderne mbalax |
Mbalax (or mbalakh) is the urban dance music of Senegal and the Gambia. The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism. A cultural value proved by Wolof is their one's and respect of other cultural and musical practices. Therefore the origins of mbalax include a fusion of Wolof, Soce, and Serer music, rhythms, and instrumentation. The Wolof ability to include the diverse styles from Senegambian groups has allowed the sabar and its modern music formation to thrive. It is not uncommon, for example, for a sabar event to include music of the Serer such as the njuup, which is connected to sacred ndut rite ceremonies.[5][6] In this way many ethnic groups may participate and the inclusion also increases the accessibilyt and popularity of the genre. In the 1970s, mbalax arose as Senegalese fused indigenous music styles with urban dance music from the African diaspora, the West, and the continent. These foreign sounds included U.S. soul, jazz, and salsa. Afro Cuban musics from the diaspora, Congolese rumba, and rock were also fused with the rhythms of sabar that were now played on the electric bass, guitar and keyboards.