McCallum + Tarry is the professional artistic collaboration between Bradley McCallum and Jacqueline Tarry, a partnership the artists began in 1999. McCallum and Tarry, who are European American and African American, respectively, are best known for their creative layering of film, audio, painting, photography, and self-portraiture to examine social inequality and the legacy of race in the United States.
The artist team has executed and curated multimedia installations that exhibited globally in Beijing,[1] Tokyo,[2] Luxembourg,[3] and nationally in Washington, D.C.,[4] Atlanta,[5] Seattle,[6][7] and New York City,[8] among others. In 2012, the Hirshhorn Museum at the Smithsonian acquired a painting from McCallum + Tarry's Whitewash series.[9]
- ^ "Bradley McCallum and Jacqueline Tarry, 'Whitewash'". Artnet. Retrieved April 23, 2015.
- ^ Corkill, Edan. (May 1, 2009). "So what then was 1968 all about?" Japan Times.
- ^ Zidoun-Bossuyt Gallery. "McCallum + Tarry". Retrieved April 23, 2015.
- ^ Gopnik, Blake. (October 19, 2003). "Here & Now". The Washington Post: N3. Archived from the original. Retrieved April 23, 2015.
- ^ Jubera, Drew. (September 28, 2008). "Old Tower a Pointer to The Past". Atlanta Journal-Constitution: K1.
- ^ Potterf, Tina. (February 17, 2004). "Strife, Addiction, Hope, Endurance". The Seattle Times: E1–2.
- ^ Cotter, Holland. (August 24, 2005). "Posing, Speaking, Revealing". The New York Times. Archived from the original. Retrieved April 23, 2015.
- ^ Dewan, Shaila. (October 3, 2000). "Police Brutality Revisited, But Not on Federal Ground", The New York Times. Retrieved April 20, 2015.
- ^ Stelly, Daniel. (February 9, 2012). "Darkness is focal point of new Hirshhorn exhibit", The GW Hatchet. Retrieved April 23, 2015.