Metahistorical romance is a term describing postmodern historical fiction, defined by Amy J. Elias in Sublime Desire: History and Post-1960s Fiction. Elias defines metahistorical romance as a form of historical fiction continuing the legacy of historical romance inaugurated by Sir Walter Scott but also having ties to contemporary postmodern historiography. A metahistorical romance does not merely use history for the setting and events of the novel, but forces the reader to reexamine history, and their own view of it. It accomplishes this by reinterpreting historical events, writing about ordinary people, crossing between various time periods, or bending history in other ways.[1] In Elias's usage, romance does not signify novels focused on marriage and love, but instead a style in which past events are "romanticized" and reinterpreted.