This article is about the cultivated accent blending American and British English. For the native dialect of the Mid-Atlantic region of the United States, see Philadelphia English.
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The Mid-Atlantic accent, or Transatlantic accent,[1][2][3] is a nickname for various accents of English that are perceived as blending features from both American and British English. Most commonly, it refers to accents of the late 19th century to mid-20th century spoken by the NortheasternAmerican upper class, as well as related accents in the early half of the 20th century taught at American schools of acting and performed onstage for classical plays,[4][5] which incorporated features of Received Pronunciation,[3] the prestige variety of British English. Consequently, this speaking style also became associated with certain Hollywood actors in that era.[6][3][7][8]
A Mid-Atlantic accent was never the widespread or typical accent of any region; rather, according to voice and drama professor Dudley Knight, "its earliest advocates bragged that its chief quality was that no Americans actually spoke it unless educated to do so".[9] The late 19th century first produced recordings of and commentary about such accents associated with the Northeastern elite and their private preparatory school education.[10]
A similar accent that resulted from different historical processes, Canadian dainty, was also known in Canada, existing for a century before waning in the 1950s.[11] More generally, "mid-Atlantic accent" may refer to any accent, including more recent ones, with a perceived mixture of American and British characteristics.[12][13][14]
^Boberg, Charles (2020). "Diva diction: Hollywood’s leading ladies and the rise of General American English". American Speech: A Quarterly of Linguistic Usage, 95(4), 441-484: "Kelly was from Philadelphia. Rogers, from Independence, Missouri, and Shearer, from Montreal, are about half R-less. Adoption of /r/ vocalization by these actresses from r-ful regions presumably reflects both formal dramatic training and the generally high prestige of this feature in the early twentieth century" (455); "Rogers, Kelly, and Shearer produce an [a:] quality in BATH words out of respect for the British or Boston standard" (465).
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^Knight, Dudley. "Standard Speech". In: Hampton, Marian E. & Barbara Acker (eds.) (1997). The Vocal Vision: Views on Voice.Hal Leonard Corporation. pp. 174–77.
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