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The Miller Company Collection of Abstract Art (1945 – c. 1955) was formed in Meriden, Connecticut, as part of the Miller Company. The collection was formed by then CEO Burton Tremaine Sr. and his wife, Miller Co. art director Emily Hall Tremaine in 1945. Works from the collection were featured in the Painting Toward Architecture exhibition, putting forth post-WWII art, design and architecture crossovers, originating at the Wadsworth Atheneum in Hartford, CT, and traveling to 28 additional venues in 1947–1952 across the United States.[1][2][3][4]
The company was part of the wave of developing corporate art collections at that time. The Tremaines' concept was to refer to circa 1920s European art and design crossovers, and apply those general principles to post-WWII America and recent technological developments in their fluorescent lighting. They encouraged architects and designers to adopt these principles to develop new interior design forms to incorporate Miller Co. lighting into commercial interiors.[2][1]